studios
Rolling from Invited at Werkshau, Leipzig, 2016. Image by Daine Singer.
Wear me, dress me, two dollars, size twenty two from Brine Pool at Spring 1883, Daine Singer, 2017. Image by Daine Singer.
Seep mussels from Brine Pool at Spring 1883, Daine Singer, 2017. Image by Daine Singer.
Sea Floor Lakes from Brine Pool at Spring 1883, Daine Singer, 2017. Image by Daine Singer.
Train track lilac, from Dynamic Footwork, Daine Singer, 2016. Image by Clare Rae.
Today we eat an arepa, from Dynamic Footwork, Daine Singer, 2016. Image by Clare Rae.
Turn yourself around, from Dynamic Footwork, Daine Singer, 2016. Image by Clare Rae.
Dynamic Footwork, Daine Singer, 2016. Image by Clare Rae.
Motion in the Opposite Direction, from Braided Field, Brunswick Sculpture Centre offsite project, 2017. Image by the artist.
JAHNNE PASCO-WHITE
–
Jahnne Pasco-White’s expanded painting practice considers the intersections between temporality and materiality. Her work is characterised by the labouring of delicate supports. Specifically, she is interested in the layers of authorship that are variously evidenced and concealed by the artist’s mark-making, as well as their continual processes of decay and renewal.
Jahnne has held solo exhibitions in: Sydney (Daine Singer at Spring 1883); Auckland (Artspace); and Melbourne (Daine Singer, Testing Grounds, Bus Projects). She has participated in group shows in: New York (Pulse Art Fair, Honey Space Gallery); Leipzig, Germany (Westpol A.I.R. Space, LIA, Werkshau, Spinnerei); Auckland (Artspace); and in Melbourne (The Honeymoon Suite, Assembly Point, Town Hall Gallery, Incinerator Gallery, Slopes, Brunswick Sculpture Centre).
Jahnne is a recipient of an 2018 Art Gallery of New South Wales’ Moya Dyring Memorial Studio scholarship at the Cité Internationale des Arts in Paris and was awarded a Martin Bequest Travelling Scholarship for 2018-20. She has completed residencies in Germany, Italy, Iceland, New Zealand, and Australia.
Jahnne Pasco-White is represented by Daine Singer.